Why I write (Creative Nonfiction)

(by Daniel R. Jones)

Every human is born with a mind-palace.

Well-kept, clean-swept, fastidiously organized. When it comes time to retrieve an idea, they walk through hallways of doors, each arranged in some methodical alpha-numeric sequence. Upon reaching the right room, they scan metal cabinets, open the drawer they need, thumb through the file-folders until they find the words they wish to write. In this way, they always have the right words to say.

When I was born, the doctors stood in semi-circle, confused by the CT scan that hung on the wall. Where my mind palace should’ve been, there was nothing to see.

Mine had sunk to somewhere deeper in the brain; somewhere less stable- the amygdala.

And what should’ve been a palace was instead a thicket of trees.

So, when I’m tasked with finding the words to say, I take to the trees without so much as a map to guide me. I amble around through thistles and brambles, looking for a sugar maple that I can tap.

The words don’t come gushing forth all at once. Rather, it’s a drip, drip, drip, slow as…well, molasses, as the thoughts freeze and thaw. It is not at all consistent.

After some four, maybe five months, my pail is filled.

I hack down the selfsame sap-producing maples and feed them to the fire, boiling buckets of sap over the open flame.

This converts thought-sap to syrup at a ratio of 40 gallons to 1.

After the foraging through the thorns and the cuts on my arms and the rips through my sleeves;

after the poison oak spreads and there’s a hitch in my step from the long hike and axe-wielding;

after the woods around me have been reduced to smoldering embers just to produce this:

I hold in my hands, my sticky, resin-stained hands, a piece of conscious concentrate: something that can be so essentially saccharine and sappy that it ceases to be so.

Bearing little semblance to sap, it becomes something else altogether.

Then, having drunk deep of this syrup, I pick up spade and seedling, knowing the next batch won’t be ready for another 50 years.

I write because words are the labor, and the reward.
because in the Scriptures, God Himself identifies as “the Word.”
Because words are both the mystery and the revelation.

The Brash Editor (Poem)

[Note: This poem originally ran in the literary journal Parody Poetry on Oct. 31, 2016]

(by Daniel R. Jones)

With apologies to William Carlos Williams.

so much depends
upon

a brash, portly
editor

and whether he’s
eaten

before he reads my
poem.

Convicted by the Sun (Prose Poem)

(after Job 12:7-9)

Ill-tempered and cross-grained. My key off its hook. I’m out through the breezeway. Into the throes of a weekday morning. My brain deplete of dopamine, I scan my surroundings, hoping to find the inconveniences that will justify my cantankerous mood. 

Instead, my eyes are met with a horizon dyed the color of mulberries. Two-century-old oaks applauding in glee. A glistening sunrise saying, “I told the truth each morning since I dawned upon Eden. You are the one out of sync here.” 

I saw a sparrow plucked from the page of a D.H. Lawrence poem. It chirped out Morse code, which, when decoded read, “No personal tragedy is ever so great that it buys you the right to be ungrateful.”

The sun, in swift rebuke, agreed: “The heavens declare the Glory of God. The flowers are clothed in splendor. The rocks themselves are crying out. So, who do you think you are? Who, exactly, do you think that you are?”

On Writing (Pensée)

There have been years I tilled the soil of my mind,
weeding out the passe, banal thoughts before I sowed a single seed.
I meticulously cultivated the plot of land that is the page. 

Those years yielded a handful of well-constructed, satisfactory poems.

There have been years I doused the sidewalk of my brain with herbicides
and all manner of thoughts not fit for human consumption.
Entire months passed when I neglected to set aside any time
for watering, composting, or gardening.
I didn’t expect a single fruitful thought. 

Still, a handful of poems poked their way up through the cracks,
identical in quality to the others.

Maybe I have less to do with this than I thought.

10-39

Thank you to “The Drabble” for publishing this flash fiction I wrote.

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By Daniel R. Jones

It was 1:27 a.m. when I awoke to a knock on our front door.

“Wasn’t Kaylee’s curfew midnight?” I asked my husband as I rose and peered through the blinds.

Two policemen wearing navy-blue peaked caps stood on our doorstep.

“It’s the police!” I told my husband.

“Are their hats on or off?” he asked, now sitting upright in the bed.

“Now what does that have to do with anything?” I asked.

But by the time I opened the front door, their hats were off.

           
Daniel R. Jones is a writer from Indianapolis with an MFA degree from Lindenwood University. His work has previously appeared in the South Bend Tribune, In the Bend, StarLine, and Parody Poetry. He won an award for best poem in the 2013 edition of Bethel College’s Crossings.

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Inspiration from Hafiz: A Hole in a Flute

Sometime, Christ-honoring poetry can come from unexpected places. Consider, for instance, “A Hole in a Flute” by Hafiz, a Sufi poet from the 1300s:

A Hole in a Flute

I am a hole in a flute
that the Christ’s breath moves through.
Listen to this music.

I am the concert from the mouth of every creature
singing with the myriad chorus.

I am a hole in a flute
that the Christ’s breath moves through
Listen to this music.


 

Though it cannot be argued that Hafiz was a disciple of Christ, this poem speaks vividly of the Lord’s enlivening πνεῦμα (Greek “pneuma”–breath, or spirit.) The poem calls to mind the words of John the Baptist, when he said “He must become greater, I must become less.”

If we study closely, we can see clear evidence of the Image of God being reflected in His creation, whether the author of said words had a full understanding of Christ’s role in eternity or not.