Shakespeare Came to me in a Dream (short story)

(by Daniel R. Jones)

“I’ve heard thine concerns about English,” he said. “I’m here to show thee the extent of English-speakers’ depravity.”

Level 1- Limbo

He led me to the first layer of perdition. There, I saw the grammar-purists.

“These people aren’t so bad,” I said. “They actually care for the language. What are they here for?”

“Don’t end a sentence with a preposition!” one of the poor souls sneered.

“I see,” I said, as Shakespeare lowered his head solemnly.

Level 2- Heresy

On the second level of the Inferno, I encountered the inverse of Level 1: those with atrocious grammar.

“Well, well, well,” a lost-soul sneered. “I seen you brung us another soul, William.”

I shuddered in horror, and we excused ourselves to Level 3.

Level 3: Greed

In the third circle stood business professionals, spouting off corporate jargon.

“Just so we’re on the same page,” one entrepreneur told another, “this paradigm-shift gives us a win-win, moving forward. That way, we aren’t reinventing the wheel.”

Level 4: Fraud

“The souls in Level 4 use real words, but never correctly,” Shakespeare explained.

“I literally could care less that I’m in hell,” a man exclaimed.

Level 5: Treachery

“What’s so bad about the people in Level 5?” I asked. “They’re happy, at least.”

“They’re smiling because ignorance is bliss,” Shakespeare said. “They use words like ‘awesome sauce’ and pronunciations like ‘skissors.’

“Squeeze me,” a man said as he passed, the listless bovine-look of self-satisfaction in his eyes.

At this point, my ears began to bleed.

Level 6: Gluttony

They say “expresso.”

Enough said.

Level 7- Lust

At this level of hell, we found fad-talkers.

“I’m riding the struggle-bus,” a soul remarked.

“I know, right?” said another. “This level of hell is a hot-mess.”

“THIS,” a third soul said. “Hell used to be lit. Now it’s an epic-fail.”

“This layer is insidious.” the playwright said, turning toward me. “People start saying ‘totes’ and ‘whatevs’ to be funny, but after using these terms so long, they become a part of their lexicon. Before you know it, they’re using ‘cray-cray’ without irony.”

Level 8 -Wrath

Level 8 was filled with souls suffering from the Dunning-Kruger Effect. They have access to a thesaurus, but don’t know how to use it.

They’re also members of the Flat-Earth Society.

Level 9- Violence

“What could be worse than what we’ve seen?” I asked Shakespeare.

Just then, a lost-soul stumbled toward us.

“Supposably, we’re the worst souls in hell, for all intensive purposes,” he said. “But I want to know pacifically what we’ve done wrong. I always went to the libarry when I was alive. I never took books for granite.”

I dropped to my knees and wept. I could smell sulfur in the air as I ground my teeth in indignation.

“It isn’t fair!” I shouted. “Take me from this repulsive place. I swear that I’ll make it my life’s goal to eradicate such senselessness!”

I woke in a cold sweat, reborn in purpose; destined to be an English teacher.

To Thine Own Self Be True (Flash Fiction)

That’s the advice the Bard bequeathed to us some 400 years ago, but then, he didn’t have $50K in school debts and nothing but a Theater Arts diploma to draw on.

After graduation, I lived on a shoestring, getting money from community-theater gigs and a part-time job subbing for a middle-school theater arts teacher. If I wanted more of the “root of all evil,” I’d need to find people even more desperate than myself.

I placed an ad on Craigslist: “Professional ‘yes-man.’ Seasoned actor will act as your double-date to the bar, vouch for your far-fetched excuses to your boss, etc.”

Jobs poured in. I was a wing-man, school principal, doctor; you name it. I side-stepped jobs that could cause bodily harm or willful destruction of property. I tried, for the most part, to steer clear of unethical gigs, but let’s face it— I was paid to be a liar.

One night, I sat opposite to Cheryl and Wade Bledsoe at their dining-room table. A routine gig. Cheryl had backed a company vehicle into a parked car while inebriated. She needed a cover story.

“Pretty easy,” I told Cheryl. “I’ll swing by your office and talk to your boss. I’ll say I watched a guy rear-end you, then take off. You were so nervous, you forgot to file a police report. Thankfully, I gave you my number, in case you needed a witness. Got it?”

“Perfect.” Cheryl breathed a sigh of relief. “How much do we owe you?”

There was something peculiar about the way Wade had been eyeing me. He had that faint look of recognition for the last half-hour.

Just as Cheryl was finishing her question, I placed him. He was a previous client of mine, looking to hook-up with a barkeep on the South side. I played his wing-man, and he got the date.

My eyes shot to Wade’s in recognition. The look of trepidation on his face confirmed he remembered who I was, as well.

I decided to capitalize on the opportunity. Chancing it, I charged him double:

“For a job of this magnitude, the going-rate is $1000. Certain factors bring that number down…if you’ve been referred by a client or you’re a recurring customer. But those wouldn’t apply to you guys, would they, Wade?”

“No,” His voice cracked. “They wouldn’t. Who should I make the check out to?”

Learning Not to Dance

Stepping from the dance floor, she asked me, who taught you to dance?

Who taught me to dance? No one, per se. No formal lessons, no wealth of experience to draw on. Truth is, you have to start dancing before you know how. You do know how, really.

What makes you sway when your song comes on, completely involuntarily, like it’s some function of your autonomic nervous systems, as innate as a pulse? You’d sync your heartbeat itself with the snare and hi-hats if it didn’t mean cardiac arrest for you.

Where’d you learn to syncopate your steps with your earbuds in—your left foot hitting the ground each time the bass drum strikes; your right foot when the tom is hit? No one taught you that. It’s intrinsic.

When it’s 72 and June and you’re cruising in your aught-two Malibu, why is it you roll the windows down, even though your A.C. works just fine? When you go to the grocery store, what makes you roll through the aisles using your shopping-cart like a scooter, despite being in your mid-twenties, relegating your day off to crossing out errands and picking up paper-towels?

Why is it that your affinity for sidewalk-chalk and swing sets never goes away, fully? Why, on cross-country drives, do you look at the tree line with a strange sense of yearning- to get off the grid and become drastically human?

How do you justify giving the guy by the side of the road fifty-cents bus fare? You know he’s scrounging just enough to buy a Forty.

Who, what, where, when, why, how did you learn to dance?

Though it’s a truth we so often forget, we, as Anglos, the chief offenders—you don’t learn to dance, sister.

You learn not to.