I wouldn’t call it a song (poem)

(by Daniel R. Jones)

I never had the surgeon’s steady hands to produce
hyper realistic depictions of the natural world.
Neither is my mind a fertile field. And when readers
crack open my prose and close their eyes,
splendorous visions don’t spill through the ether,
transporting them, at once, to the scene I’ve described.

But today, I sat in a public park, that small corner of pastoral-
life still afforded us city dwellers. And I heard a melody.

I wouldn’t call it a song
if it was indistinguishable from the sound she copied.
I wouldn’t call it a song
if she reproduced it perfectly, note-for-note.
Frankly, I’d be annoyed.

Nobody revels in a car-alarm sound bath, after all:
that blathering horn of the Hyundai-inaptly-named-“Sonata.”
But it was the gulf between subject matter and facsimile
that rendered this music.

Wrung through the miniscule vocal cords of a mockingbird,
a grating car alarm becomes delicate birdsong–
crafted from the same stuff as peony fragrance
and moonbeams and the wisps of cirrus clouds.

In such a way, dear Reader, I know my poetry seldom scans.
But maybe, cockeyed and birdbrained though I am,
you’ve read this far.

Perhaps, on occasion, you’ll even tilt your head and say:

It’s such a crude approximation,
that it’s barely recognizable.
But through the distortion,
it’s somehow more like a song.
And less real,
it sounds more true.

Sharon wrestles the ghost of Chuang Tzu

(by Daniel R. Jones)

Pulled through a wormhole, the specter of Chuang Tzu glid across the centuries. He rose from the ground like the witch of Endor, spit out in a dermatologist’s waiting room, of all places. He’d been summoned to hold space for Sharon, a woman you’ve met so often, you’d swear Joe Campbell is her daddy.

Sharon, that neon beige of a woman, sat gawking, shocked to find a kindred spirit (if you’ll forgive the pun) in Chuang Tzu. She was an unlikely candidate for his teachings. None of her thinking revolved around esoteric Chinese mysticism. Rather, she spent large swaths of time defending the Middle West with noble buzzwords, such as “cost of living,” “light traffic,” and “protestant work ethic.” Sharon didn’t despise humble beginnings. Nor humble middles and endings, for that matter. She knew there were fates worse than cul-de-sacs.

Sharon was a Moderate: believing all politicians are liars. She believed cliches are cliche for a reason. Same with stereotypes. Rolling stops weren’t stops at all, to Sharon. Rules were not meant to be broken. Sharon would never leave a pump unattended.

Her taste, as well, was milquetoast.

“A foretaste of glory divine,” to Sharon, consisted of Friday nights at Olive Garden and vacations to Saint Petersburg. She didn’t care for the fourth Toy Story. Her favorite songs consistently mirrored the Top 40. She enjoyed Jane Austen, believing her books to be romance novels. Sharon hadn’t heard of the Middle Way, but always sort of reckoned the truth was “somewhere in the middle.”

Oh, Sharon. Always doing things by half. California-sober. Beautiful in Arkansas. Unconcerned, Sharon recognized comparison as the thief of joy. She knew depression is a persistence hunter. That’s why she took tolerance breaks on optimism.

Once, on a long drive through rural Oklahoma, she coined her life motto: You don’t need to catch lightning in a bottle; it’s enough to trap lightning bugs in a Mason jar.

Life was predictable, if boring, for Sharon.

So, she didn’t plan to encounter a Daoist eye-to-eye this morning, least of all on a routine visit about a discolored mole on her left cheek. But while idly flipping through a periodical, she landed on a poem that accidentally summoned the sage, and well, here he was, espousing his views on the perfect man. Or perfect woman, as it were.

How had he cut to the quick? How had he zeroed in on the only thing she ever wanted?

A thought slipped out through the cracks in her brain while her guard was down: Would that I become an empty boat, crossing the river of the world!

Sharon clapped the magazine shut.

She pursed her lips and strode to the receptionist. Best to steel herself against such idle thoughts. Better instead, to think about the weekend, the summer, the holidays. Something to look forward to.

Better, for now, to double-check that the office has her new HSA on file.

Reprobation (Poem)

(by Daniel R. Jones)

Outside the slaughterhouse
the cows low out their one-note prayer
begging God to redeem this part of creation.

Miasmatic sky oppresses
trees of the field too weak
to clap their hands.

The sulfur and particulate
from smog and smoke
clog stomatic pores.

Shagbark hickories splay
a myriad of black fingers to the sky,
pleading for vindication.

Fish become flotsam
caracasses float to the surface
in what can’t be mistaken for ascension.

The roiling sea cries out,
“Would that God descend from His heaven
and say again, ‘Be still.'”

And we, the Pestilence,
lacking the mendicancy
of the breast-beating tax collector,

refuse to acknowledge this.
God’s creation? Just collateral damage.
Reprobation? We named it the Fall of Man.

The Thief and Theologian (Short Story)

(by Daniel R. Jones)

The theologian sat studying manuscripts by candlelight. A rap came upon his window. Perturbed, he rose and opened it.

“Ahh, it’s you, God,” he said, scowling. “I see why Scripture describes you as coming ‘like a thief in the night.’ I’ll have to make note of that. Now go away, I’m studying Theology.”

“You’re studying the study of me.” God said, bemused. “While here I stand at your window and knock.”

The theologian smacked his lips, quite frustrated to be interrupted at such a serious task.

“Can’t you see I’m studying?” he chided. “Theology is the study of God. So I am studying you. I’d rather not split hairs about semantics. Besides, I’m quite annoyed that you pulled me from my studies. Now, go away.”

God shook his head, but He didn’t look tired or distraught. He looked winsome, almost ephemeral. Lighter than the wisp of smoke floating from the smoldering wick on the theologian’s writing desk. A neuron in the theologian’s brain misfired, and he fleetingly thought of the untrimmed wicks of the unprepared Virgins. A total non-sequitur, he was sure.

“I love you, I love you, I love you,” God said, and it sounded like a jump rope song. “But you know so little about me.”

The theologian, back at his writing desk, straightened a little in his chair. He didn’t like to be mocked. Least of all by God, who he considered a little beneath him.

“Now, what is that supposed to mean?” he asked, narrowing his eyes on God. “Explain yourself.”

“No,” God replied, and disappeared from the window as quickly as He’d come. 

The theologian made a dash for the open window. If he could just grab the robe hem of Elohim, who knows? It worked for that scuzzy, bloody woman in the gospels. Maybe he could catch God by the coattails and really go somewhere. He might even be able to pin God down and wrench an explanation out of Him.

But no, God was well out of reach by now. 

The theologian saw Him skipping through moonlit meadows, singing to Himself.

He’d made off like a bandit. No doubt, to haunt some other poor soul who might be less indisposed for the evening.

“No matter,” the theologian thought, returning to his manuscripts. “I’ll find him in here somewhere.”

Performance Review (poem)

(by Daniel R. Jones)

There’s a trick I play on my children
when I need a little reassurance.

I pull them close.
I whisper in their ear:
“Do you want to hear a secret?”

They acquiesce.
Every child wants a secret.

I say “I love you.”

They sigh, maybe roll their eyes.
And it brings me such solace when they say it:

“That isn’t a secret.”

the looks on their faces when they find out

(by Daniel R. Jones)

Bet it was bliss being Jesus,

before the crucifixion, I mean.
Before Judas’ kiss and the crown of thorns
and the floggings and whatnot.
Before the Romans rolled bones for his clothes.

Bet it was bliss being Jesus,

rustling through the Torah,
strolling the streets of Nazareth
with that look on His face:
just knowing He was God.

Bet it was bliss being Jesus,

knowing he was God’s own
self-insert in the story He’s weaving.
Not a Mary-Sue, exactly, I
don’t want to stretch the analogy too far.

But I’ll bet it was bliss being Jesus

before He’d told anybody;
say, at 10-years-old,
just watching and waiting to tell His classmates,
giddy to see the look on their faces.

Before all the terms and conditions
of the Kingdom of God.
“A hard teaching,” they called it.
Therein lies the rub.

But before all that,
I bet it was bliss being Jesus.

“Genesis 29:30” by Kaitlyn Bancroft

The following poem was sent to me in November of 2022. At the time, I described the piece as “electric.” In all the time I’ve sat with it since, I’ve only grown fonder of it. This, in my opinion, is how a Bible-based poem ought to look: ekphrastic and difficult. The narrator of the poem sees her own struggle in that of the Biblical Leah. It’s a story of grace…but as Flannery O’Connor rightly notes: “…grace changes us and the change is painful.”

I love this poem because it doesn’t shirk the painful part. It’s easy to gloss over the parts in the Scriptural account in which a woman is “second place.” It’s easy to take the specifics of Jacob’s story and fail to consider the “minor” characters. But I’d submit that this poem posits a simple truth: in God’s mind there are no minor characters.

But I digress. I’m writing too much about a piece of art, which is, as Frank Zappa states, “like dancing about architecture.” Read on. I hope this poem will stoke the fires in your soul as it did mine.


Genesis 29:30

Dear Leah, did you love him?
The man your father tricked into marrying you?
The man you bore seven children to,
And with each one prayed he’d finally love you?
How did you suffer it, knowing your body and life weren’t enough for him?

Dear Leah, how did you endure it?
Being the plain sister, the “tender eyed” one?
(What the hell does that even mean?)
Did you ever shed tears of blood because he did not and never would choose you?
Did you ever scream at the stars, shatter them in their fixtures, because he loved another?

Dear Leah, did you hate them?
The father who denied you the chance to be wanted,
The sister who punished you with her existence?
The two sons she finally bore, damning your children to your own second place?
Did you ever hate the man who lay with you, then one, two, three other women?
Did you ever wonder why even Rachel wasn’t enough?

Dear Leah, how did you live with it?
The dense, damaged hole in your chest where your husband’s love should have been?
Did you bear it like you did your children —
With howling and with sweat and with blood,
With the ancient, terrible strength all women possess?

Dear Leah, I am terrified, because I am you
My younger sister is beautiful
My reflection is tender eyed
And the man I loved did not want me —
I did not know pain like that existed
Or that I could bear it like a squalling, gory babe

And Leah, I am devastated by fear
That a man will never choose me
(How very unfeminist of me) —
That, at best, he’ll settle for me
Give me his home, his children, maybe even his respect
But never, ever his love

So Leah, I beg you, I beg you
Tell me how you survived my nightmare
Tell me what blood you spilled, what salt you threw, what screams ripped from your throat
Tell me what excruciating price you paid
And I swear to you, by the God we both cry out to,
I will pay it


Kaitlyn Bancroft is a reporter with KSL.com in Salt Lake City, Utah. Previously, she’s written for The Salt Lake Tribune, The Spectrum & Daily News (part of the USA TODAY NETWORK), The Denver Post, Deseret News, and The Davis Clipper. Her poetry has been featured on EveryWriter, in Illumen Magazine, in Wingless Dreamer’s 2021 Halloween anthology Whispers of Pumpkin and in Hole In The Head Review. She also has poetry forthcoming in Tiny Seed Literary Journal, the Ocotillo Review, and in The Dread Machine. Follow her work on Twitter @katbancroft or on Instagram @katbancroftreports.

A Refusal to Mourn the Death, by Overdose, of a Child in Anderson (Prose Poem)

(by Daniel R. Jones)

Ochre. Gold Siennas. Tawny-colored clusters and fallen umbers.
I last saw him just before the fall.
But these days, it feels as though there’s no such thing as Autumn. It’s just the extinction burst of a greener season.

His child was a “junior.” He took his father’s name (in vain, if you consider the short duration he used it.) The baby’s life was measured in months, not years. It was his father that I really knew.

I knew, in my heart, that “narrow is the gate.”
I knew that, conversely, hell is standing-room only.
But I guess I considered him safe.

Wasn’t he, after all, a Narcotics Anonymous coin collector? He showed off his tokens—one month, 90 days, one year—and with every new coin, it was like I watched him age in reverse: his face would smooth. His brain would wrinkle.

Even his eyes, as they creased at the corners, seemed to say, Don’t worry. I know my way home from here.

Each morning I saw him, loitering outside the courthouse, a menthol dart in one hand and an 18 ounce travel mug of Columbian in the other. A remote start for an idling mind, if you will.  He looked healthy enough to fool me. Perhaps when you work with the court you have that effect on people: the way someone straightens in their chair when a chiropractor enters the room.

But he’d come clean twice and only stayed clean once.

Mere weeks after they cut the anklet tethered to his leg, he had a needle in his arm again. They say the baby was cradled in the crook of his left elbow when it happened. He nodded out before he could cap the syringe. It pierced the infant’s skin, and his only son summarily died.

Art and poetry are defenseless against such tragedy. Scraping words around a blank page with the nib of my pen does nothing to assuage such impending feelings of guilt that plague this man.

The wages of sin are death, and devil doesn’t amortize debt. That man from Anderson had been working time and a half, and I suppose payday is coming. The whole town is seeing red, and rightfully so. There are entire area codes he’d do well to ignore when his phone rings.

I can’t shake the image from my head, though, of the man I once knew, the newly minted recovering addict. Is he shaking in his cell, gasping out fevered dope-sick prayers, begging God to cut him, cut him, cut him some slack?

I won’t pretend I haven’t scanned the headlines. I found the obituary. I keep waiting for murder to hyphenate and include suicide.

So far, that conclusion hasn’t been reached, so I’d like to offer a direct address:

My friend, if you’re reading this, I hope you take it to heart. Be rid of your vague “higher power…” that counterfeit G.O.D. just as easily substituted for “Group Of Drunks.” Don’t put your trust in some formless deity pushed on you by your sponsors in Narcotics Anonymous.

What you need is a more seasoned God. The kind that knows something about losing a Son.

And as for me, I’ll bastardize a Dylan Thomas line, and I’ll do it on purpose. After the first rebirth, there are others. There is life.

New life after new life after new life.

Bez & Co- October 2022 Issue

Table of Contents:

Book Recommendation-
Pilgrim by Mary Tarantini• Daniel R. Jones

Fiction-
Piecemeal Peace • Jeffrey Wald

Poetry
In the Holy Spirit • Phil Flott
The Moth • Gabriel Parker
Like Sparrows Satellite • Daniel Jones


Book Recommendation: The Pilgrim by Mary Tarantini

Mary Tarantini has become a mainstay here at Bez & Co. Her poetry leapt from the page since the first submission she sent my way. She writes in an unembellished but fervent manner that rings with conviction. Her verse has a decidedly intimate tone, but she still manages to appeal to a broad audience.

So it’s no surprise that others have started noticing her verse, too!

A collection of Mary’s poems is out now from Wipf & Stock.

In Pilgrim, Mary Tarantini showcases some of her most breathtaking and deftly crafted poetry. As the manuscript’s name implies, this is a collection of unadorned, simple poems, as accessible as they are profound. Still, the poems here hold the power to surprise the reader. Tarantini deftly crafts lilting, sonorous verse with a breathtaking prosody and unique word choice. This collection is a treat for the reader, as it is simultaneously gorgeous and sincere.

If you have enjoyed Mary’s poetry as much as I have…or especially if you haven’t yet had the chance to read her verse, check it out here! 

-Daniel R. Jones


Piecemeal Peace

OK, I admit, I shouldn’t have cussed in front of the kids, especially on account of we were all dressed up and just about headed out the door for Mass. But come on, hear me out.

There I was, sitting on the john, taking a, well, you get the picture, reading a little Gerard Manley Hopkins, that line “piecemeal peace is poor peace” from his poem “Piece” really striking me, because it was exactly how I felt at that particular juncture, on account of having had three drinks the night before, and too much puppy chow, the combination of which always gives me a tremendous gut ache and puts me in a terrible mood the next day. And if that wasn’t enough, breakfast had been horrendous, not so much the food, I having avoided the food on account of the gut ache. But the company, eight screaming children, being less than pleasant for a Sunday morning, and Sunday being the Source and Summit of the week, so it is said, although I wonder sometimes if that is more of a metaphor, like Hopkins’ “skylark scanted in a dull cage,” rather than a statement of reality. Whatever the case, I had escaped to the upstairs bathroom for some much-needed relief, gastrointestinal as well as psychological. And sure, I probably spent a couple more minutes on the john than was absolutely necessary, but remember I was reading Hopkins, not a Playboy or even GQ, which I am informed many men my age take to the john with them. And consider too that I’d just cooked 49 pancakes, and cleaned up three OJ spills, and broken up four fist fights, and cleaned two poop diapers from the same kid, that child having evidently gotten into the puppy chow as well the night before, and then picked up 58 stray Lego pieces (I counted them all, on account of having stepped on one, a Luke Skywalker holding a lightsaber, that cut my foot making me bleed on the newly installed light blue carpet, which, I might add, I was never in favor of in the first place, but we’re not here to keep score, right?) So I might be forgiven for wanting a moment of peace on the john, even piecemeal peace, which of course I did not find, on account of the gastrointestinal issues joining me in the john, but even more so, a full five children likewise joining me, each taking a turn barging in to grab some necessary item, like a book, or a doll, or a board game, which left me thinking why are books, and dolls, and board games being stored in the bathroom in the first place? And here’s the real gem of it all. Each kid loudly proclaimed upon entering the bathroom “Ewww, dad, why don’t you ever lock the door?” To which I wanted to reply, “Why don’t you ever knock?” But I decided not to waste my breath, instead pointing to the missing doorknob, it having been busted off by yours truly when the 2-year-old locked himself in the bathroom and proceeded to flush diapers down the toilet, his parents (myself included), not noticing (or, perhaps gladdened by) his absence from the dinner table until toilet water began dripping from the ceiling onto the dinner ham, on account of the marvels of modern absorption technology, even though said flushed diapers were the cheap Costco brand, not Pampers, the Mustang of diapers, which tells you how far modern absorption technology really has come. In any event, please be proud of me for keeping my inner cool after the first four darlings came in. But then, admittedly, I lost it when the last one entered, but again have mercy, because it was Johnny, and Johnny and I had been butting heads all week and I’m pretty sure he busted in not because he needed anything but just out of spite. And then I yelled “Leave me alone. Get out. Everyone downstairs,” which perhaps was not fair to my wife, she being downstairs and, likely, herself trying to hide from the kids. Which probably she was, because about one minute later she yelled up, “Joe, you’re sitting on the toilet reading Hopkins and hiding from the kids again, aren’t you?” Which made me think, does she really expect me to take two or three of them into the john with me? But then I remembered that this is exactly what she was required to do when she had to use the john, on account of the serious separation anxiety three of our kids have. So I didn’t have much ammunition on that front, but was still boiling mad, not even having finished one Hopkins’ poem. I finished up, and walked downstairs, but when I got to the kitchen I stepped on another Lego, this time Darth Vader who was much sharper than Luke Skywalker, and I flipped a lid then, yelling “Can’t a dude take a shit in peace around here?” And the older kids’ eyes all got big as they looked at one another and tried to hide little smiles but my wife, she was not stifling any smile at all, so I tried to recover by saying, “Everyone, to the van, let’s go, we’re late for Mass!”

We all got into the van, a big, brown, 15-passenger Ford E-350, and I turned around and glared at the kids, saying something like “Nobody better say a word. We’re taking quiet time. Prepare your hearts for Mass.” And I put that monster into reverse and pushed down on the gas and, I’ll admit, sort of gunned it a bit, which is embarrassing, considering it was a brown 15-passenger 12-year-old van, and not a Mustang or even a Honda Accord. We cruised backyard down the driveway and at the end I sort of twisted the wheel quickly to turn onto the street when we all suddenly heard a tremendous banging sound, on account of the trash and recycling bins still being on the side of the curb even though the garbage guys came on Tuesday and it was now Sunday but I’ve got a lot on my plate, including picking up Legos and making massive batches of pancakes and I hadn’t even had 10 minutes for Hopkins all week so maybe I can be cut just a little bit of slack? But as soon as I crushed those bins, Dominic, my three-year-old, who’s a funny little bugger if ever there was one, loudly exclaimed “Holy shit!” All of us went dead silent then, including Dominic, who looked around shifty eyed, wondering what kind of shit he might be in now. But then I couldn’t help but bust a gut laughing, and my wife started laughing too, and soon everyone in that van was laughing. And then we drove to Mass.

Only thing was, Dominic had discovered what he now considered to be the funniest damn expression there is, which is perhaps fine when you’re traveling in a big, brown 15-passenger van with a bunch of nitwits and bad parents, but perhaps not so fine during the elevation of the most Holy and Sacred Body and Blood of Christ during the most Holy and Sacred Sacrifice of the Mass, the very Source and Summit of our Life. I suppose I could chalk it up to “just being one of those days,” if in fact this didn’t feel like every single one of my days. But then again, at least I don’t have hemorrhoids like my man Hopkins, right? Although my wife often reminds me, cruelly I think, that soon I will if I continue to sit on the john for 30 minutes at a time hiding from the kids and reading Hopkins.  

Jeffrey Wald


Jeffrey Wald writes from here and there, but will always consider himself a North Dakota writer. His stories have appeared in publications such as The Windhover, Plainsong, Aethlon, Oakwood, and Collidescope.


In the Holy Spirit

It wasn’t a computer chip under the skin
but similar:
Something small slit all my molecules,
pervaded the depths of my plasma.
I wonder-full-y wanted to wish well
to all my brothers and sisters,
us daughters and sons of him.

So my new nature –
completely compatible
with deeps in me,
from which rose
warm electric streams
of tall sugar cane
with which I washed
the blue air of this world.

Such the first night,
the second week,
we are in a month,
I love this past year…

Phil Flott


Phil Flott is a retired Catholic Priest, due to action of the Holy Spirit in his life. The last two years he has been very active with poetry. He feels it is a ministry to the Body of Christ.


The Moth

You wander upon a boy setting the simplest of all things upon the dirt, overturned,
A glass: one that must have held water to quench sweat poured out
Upon dust and upon great blades of grass that now strike like fireworks
Shooting into a magnanimous sky, and one that would, must! 
hold the substance of that transient liquid between us and another world
But now, 
but now it holds the merest whisper of the darkness upon two little wings
like two kisses for each cheek and you see in it, in that creeping moth
the tiniest corpuscle of the light, like a seed and you wonder if you can see anything at all

Then you wonder first, how such a beast, 
such a hoary beast to be plucked from the cloak of Age himself
ever would find its way into the light of a day 
that breaks itself across your back like a board and you 
are here only to feel the splintering

And it is a hard rain as it splinters
Soaking, flooding, drowning the glass before your eyes
and yet you breathe it in with your irises and
taste the color upon the painting of your soul
and the boy like the memory of a song long forgotten
yet heard as a breeze twines its way through the dead trees of a dead winter

You wonder if the moth knows that it drinks its life away
edging ever so slowly back into its abode 
like a troll that grasps at the mouth of its cave running,
running, running from the coming sun while a speck 
inside its chest burns like a cinder to be caught out in the 
coming sun;
yet when it arrives it comes not as the conquering king
but in chains, rags, the passing glimmer 
of a dying man like a mote through the rooms 
he used to touch and the bits 
he used to feel and the life 
he used to have

You wonder if it can see its likeness in its starry cage
Or if the clime it has is all that it can view and
In the light of even Polaris herself, arrayed 
In all the passing seasons is a fog
of the mind of the body and 
she seduces you away from the skull upon your back

Does he know? Could he guess that you could 
with all the godlikeness of the mathematician
calculate the breaths he had left? Or will the pin
come as a surprise to him, as he hangs
as he hangs 

Gabriel Parker


Gabriel Parker is an undergraduate at Oklahoma State University majoring in Creative Writing. He has had fiction published by the Underscore Review, FoxPaw Literary, Ripples in Space, and in an anthology by Grey Wolfe Publishing. He can usually be found deep in the bowels of the campus library holding back piles of books with one hand and typing away with the other. You can find him on Instagram @gabrielparkerauthor or online at gparkerauthor.wordpress.com


Like Sparrows Satellite

Like sparrows satellite
a bird of prey,
all beak and fervor
and filoplune feathers;

It’s coming on again.
Snatches of poems
yet to be written
buzz about my head like gnats.

Tulip poplar buds reach through
shadowbox slats of cedar fence.
I knew the 3 pound grey mass between my
ears would try to find meaning there.

Leave me alone, you middle-weight
poet brain. You journeyman guru.
I didn’t ask for story or song,
I’m just out for a walk.

I don’t want these twisted tendrils
prying an embellished metaphor
for an already saturated market.
I want Beginner’s Mind:

An ordinary stroll
devoid of association
and mining my mind
for something faux-profound.

With all the Impostor
Syndrome of Saint Peter,
I almost prayed it:
Go away from me, Lord.

But this poem is proof positive
I’m your obsequious sycophant.
Make me one of your monkeys,
your infinite monkeys, pounding away

on a typewriter, fresh ribbon
and 20 pound copy paper at the ready,
that I might, by some happy accident,
produce the Encyclopedia Brittanica.

I have so little to do with it, after all.

-Daniel R. Jones